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TRAUMA CENTER: UNDER THE KNIFE


Platform: Nintendo DS
Released: 2005
Developer: Atlus
Production: Atlus

More than five years since the birth of the portable Nintendo, we meet to qualify Trauma Center as the cornerstone, the symbol of the ideology which was based on the original DS. News conceptually simple, combined with a carat weight of old fashioned fun that rewards player skill.
A drawing of surgeries to be concluded within a time limit, under a graphical interface through essential and play comfortable. The almost total identification results in a constant state of emotional tension and palpable that in times of alert, reached peaks of rare intensity: the background sound takes musical turn a troubled, the beeps of the equipment becomes insistent, the nurse there alarm and anxiety to commit fatal errors increases dramatically. State of mind which, however, fades and merges into frustration when the same situation occurs again in the same operation a second, third or fourth time. But it rarely happens, if not in the final operations (and, alas, longer). Surprisingly the plot, which has the characters well defined and deep, involved in a series of easily foreseeable and narrative aspects that touch on issues very heavy (particularly euthanasia) in a raw and ripe. Contrary to what one might expect (deceived by the lightness of the manga section).

VOTE: 8

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GRAND THEFT AUTO III


Platform: X-Box
Released: 2003
Developer: Rockstar North
Production: Rockstar Games

GTA III is certainly one of the ten most important games of the past decade as the quintessential symbol of free roaming and gratuitous violence. Factors certainly impact sales going to struggle, however, with a physiological deficiency of artistic dignity, fundamental for you to survive a video game to the course of time. For this, citing an anonymous comment, GTA III is the son of his time. Not because "tremendously '90s," but that weakened by the years. The flatness chart immediately jumps to the eye: color layers properties to the gray, gaunt and anonymous metropolitan scenarios, weak human mannequins who walk the streets and so on. Aesthetics inert rescued, fortunately, the soundtrack which, while lacking the expensive licenses sequels, offers a wide variety of genres and tracks (you can over pedestrians with a background lyrical, only time anthology from the game). GTA III is incomplete but also those significant features that have made the sequels. Missing a script worthy of being called such a plot involving the player, a charismatic character that actively interfere with the story lines (not a puppet, as in this case) and a cast of supporting actors and secondary knows do the same.
The game progresses through a series of missions more or less (more less than that) inspired and amusing, however, must deal with some cumbersome structure. What makes the action unnecessarily distracting, frustrating (the dramatic sighting system for the shooting and the absence of a checkpoint in the mission failed), diluted to excess (move from one side of the city to complete simple tasks) and limiting the user the freedom to live the game seemingly offer. Apparently. Why GTA III demonstrates its potential (see total anarchy) through the faffing around. The tedious cazzeggiano smarona end in itself that after an hour, but that brings her audience along.
Note how the enthusiasm of a critical consensus, surprisingly short-sighted has pushed the title in the imagination of videogame masterpieces. Factor that puts it in law, the list of untouchables.

VOTE: 6

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Back to the Roots! GRAND THEFT AUTO III

With the review of GTA 3, I realized that it overturned the guidelines that I intended to follow on my blog. Hasty and biased opinions from a pseudo-reviews in which I repress my tastes in favor of a false objectivity.
Unknowingly, I have adapted to that model consists of formal impersonal arguments that I criticized. And that is why it is urgent that a return to basics.